La fotografía como documento de archivo

Abstract

The photography, from produced by the central Administrations like generated by independent photographers and the fans has originated a comparable documentary explotion to which it ocurred with the traditional document to XX century. The guard and conservation of this documents of modern support guarented to the scientific reaserchs circunstances that escape to the written ideas and complement the references that interest to the history of the institutions. It´s necessary to learn to read the iconic text like one takes control of the lingustic text, and to evaluate and to select the photograph documentation criticaly because the indiscriminate guard like the inadvertent destruction is a danger for a documentation that is part of our audio-visual memory.