The Digital Exhibition and Keyimage Ontology

Airchinnigh, Mícheál Mac an and Sotirova, Kalina The Digital Exhibition and Keyimage Ontology. Bilgi Dünyası, 2008, vol. 9, n. 1, pp. 90-125. [Journal article (Paginated)]

[img]
Preview
PDF
90-125.pdf

Download (1MB) | Preview

English abstract

The Age of Image predates and is currently contemporaneous with the Information Age. In our times the explosive expansion of Web 2.0 Social Space, typified by the phenomena of De.licio.us, Flickr, MySpace, YouTube…, and the concomitant emergence of folksonomy, present interesting challenges in the management of this information. One key process by which to accomplish this in Social Space, is the wedding of folksonomy (of the people) with ontology (of the machine). Such a wedding must necessarily be conducted in the shared physicality of the word, of language. In this respect, WordNet together with OWL, play the role of matchmaker. But the same Social Space also provides an opportunity for natural folksonomical tagging by digiFoto (key)image. The research harness for experimental keyimage tagging consists of Flickr as the main (digiFoto image) Social Space testbed and De.licio.us as the auxillary outreach secondary Social Space. Protégé Editor with OWL-DL provides the support for the bridge from keyimage to the formal ontology. The primary end user application domain is the keyimage tagging of paintings in an online art gallery.

Turkish abstract

Görüntü Çağı, Bilgi Çağından önce gelir ve günümüzde Bilgi Çağıyla çağdaştır. De.licio.us, Flickr, MySpace, YouTube. . . gibi olgularla örneklenen Web 2.0 Sosyal Uzayının tahminlerin ötesinde büyümesi ve bununla birlikte ortaya çıkan etiketleme bilgi yönetiminde ilginç gelişmelere sahne olmaktadır. Sosyal Uzayda bilgi yönetimini başarmak (insanlar tarafından gerçekleştirilen) etiketleme ve (makineler tarafından gerçekleştirilen) ontolojinin birleştirilmesini gerektirmektedir. Böyle bir birleştirme mutlaka sözün ve dilin ortak fizikselliğiyle gerçekleştirilmelidir. Bu hususta Web Ontoloji Dili (OWL) ile WordNet çöpçatan rolü oynarlar. Öte yandan aynı Sosyal Uzay dijiFoto (anahtar) resimle doğal folksonomik işaretleme yapmak için de bir fırsat sağlar. Deneysel anahtar resim işaretlemesi yapmak için kullanılan araştırma araçları ana (dijiFoto görüntü) Sosyal Uzay sınama ortamı olan Flickr ile yardımcı ikincil Sosyal Uzay sınama ortamı olan De.licio.us’dan oluşmaktadır. OWL-DL (OWL Betimleme Mantığı) ile Protégé Editor anahtar resimden biçimsel (formal) ontolojiye köprü kurmak için destek sağlar. Başlıca son kullanıcı uygulama alanı bir çevrimiçi sanat galerisindeki tabloların anahtar resim işaretlemesidir.

Item type: Journal article (Paginated)
Keywords: Access, art, folksonomy, keyimage, ontology; erişim, sanat, etiketleme, anahtar resim, ontoloji.
Subjects: L. Information technology and library technology > LC. Internet, including WWW.
J. Technical services in libraries, archives, museum. > JG. Digitization.
Depositing user: Kamil Comlekci
Date deposited: 04 May 2008
Last modified: 02 Oct 2014 12:11
URI: http://hdl.handle.net/10760/11423

References

Acton, M. (1997). Learning to look at paintings. London: Routledge.

Art Gallery — the Master. (2008). Художествена галерия “Владимир Димитров—Майстора”. Retrieved Feb 13, 2008, from http://www.artgallery-themaster.com/

Baader, F., Calvanese, D., McGuiness, D., Nardi, D., and Patel-Schneider, P. (Eds.). (2003). The Description Logic Handbook : Theory, Implementation and Applications. Cambridge: Cambridge University Press.

Ball Platner, S. (1929). A Topographical Dictionary of Ancient Rome. Retrieved Dec 22, 2006, from http://penelope.uchicago.edu/Thayer/E/ Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/PLATOP*/Aedes_Matris_Deum.html

Berger, J. (1972). Ways of seeing : based on the BBC television series with John Berger. London: British Broadcasting Corporation and Penguin.

Bonnard, P. (Artist). (ca. 1924). Ambroise Vollard with His Cat

Cézanne, P. (Artist). (1899). Ambroise Vollard

Chun, S., Cherry, R., Hiwiller, D., Trant, J., and Wyman, B. (2006). Steve.museum: An Ongoing Experiment in Social Tagging, Folksonomy, and Museums. Retrieved Dec 28, 2006, from http://www.archimuse.com/mw2006/papers/wyman/wyman.html

Cornelius Rosse et al. (2008). Foundational Model of Anatomy. Retrieved Jan 27, 2008, from http://sig.biostr.washington.edu/projects/fm/ AboutFM.html

Creative Commons Organization. Creative Commons. Retrieved Feb 9, 2008, from http://creativecommons.org/

de Rynck, P. (2004). How to read a painting : decoding, understanding and enjoying the Old Masters. London: Thames & Hudson.

Domino : Art Galleries. (2008). Български художествени галерии. Retrieved Feb 13, 2008, from http://art.domino.bg/gallery.php?lang=

Evans, S. b. (2007). Thailand: Hill Tribes. Retrieved Jan 9, 2008, from http://www.flickr.com/photos/babasteve/406660060/

Flickr. Retrieved Jan 30, 2008, from http://www.flickr.com/

Flickr. Tags. Retrieved Jan 3, 2007, from http://www.flickr.com/photos/tags/

Garfield, S. (2000). Mauve : how one man invented a colour that changed the world. London: Faber and Faber.

Gauguin, P. (1897). Nevermore. Retrieved Jan 4, 2007, from http://impression.alloilpaint.com/gauguin/gauguin88.jpg

Giorgione (Artist). (c. 1510). Sleeping Venus (or Dresden Madonna) [oil painting].

Goethe, J. W. v., and Eastlake, C. L. (1975). Goethe's Theory of colours. New York: Gordon Press.

Gombrich, E. H. (1995). The Story of Art (new ed.): Phaidon.

Google. Google Image Labeler. Retrieved Jan 3, 2007, from http://images.google.com/imagelabeler/

Hall, J., and Puleston, C. (1994). Illustrated dictionary of symbols in Eastern and Western art. London: John Murray.

Hamilton, H. D. Cupid and Psyche in the nuptial bower (B&W) [Oil painting].

Harris, J. (2006). Art history : the key concepts. New York, NY: Routledge.

Heaney, S. (1999). Beowulf. London: Faber and Faber.

Huizinga, J. (1955). Homo ludens; a study of the play-element in culture. Boston: Beacon Press.

Isemann, D., Mac an Airchinnigh, M., and Ahmad, K. (2007). Navigating heritage on well-grounded terminology and robust ontology. Paper presented at the XVI-th European Symposium on Languages for Special Purposes (LSP).

Kobayashi, S. (1991). Color image scale. Tokyo ; London: Kosdansha International.

Kobayashi, S., Keiichi, O. and Lowitz, L.. (1998). Colorist : A Practical Handbook for Personal and Professional Use. Tokyo ; New York ; London: Kodansha International.

Kobayashi, S., and Nihon Kar*a Dezain Kenky*ujo. (1987). A Book of colors : matching colors, combining colors, color designing, color decorating. Tokyo ; New York: Kodansha International.

Mac an Airchinnigh, M. (2004). The practical sense of philosophizing: why preserve anything at all, even digitally? Review of the National Center for Digitization Retrieved Jan 9, 2007,from http://elib.mi.sanu.ac.yu/pages/ browse_article.php ?cs=000001&rd=0000051

Mac an Airchinnigh, M., and Sotirova, K. (2007a, 24-26 Ekim). Keyimage Ontologization & Folksonomy in Web 2.0 Social Space. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu, Ankara: H.Ü.

Mac an Airchinnigh, M., and Sotirova, K. (2007b). Keyimage Ontologization & Folksonomy in Web 2.0 Social Space. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu.

Magritte, R. (1979). Écrits complets (ed. André Blavier). Paris.

Manet, E. (1865). Olympia. Retrieved Jan 4, 2007, from http://www.griseldaonline.it/percorsi/3checcoli_1d.htm

Mantegna, A. (1505-6). The Introduction of the Cult of Cybele at Rome. Retrieved Dec 22, 2006, from http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG902

Marincola, P., & Philadelphia Exhibitions Initiative. (2006). What makes a great exhibition? Philadelphia, PA Chicago, IL: Philadelphia Exhibitions Initiative Distributed for Reaktion Books in the USA and Canada by the University of Chicago Press.

Mautner, T. (1997). The Penguin dictionary of philosophy (Rev. ed.). London ; New York: Penguin Books.

National Art Gallery Bulgaria. National Art Gallery Bulgaria. Retrieved Nov 29, 2006, from http://www.nationalartgallery-bg.org/

National Gallery London. (2008). The National Gallery, London. Retrieved Feb 13, 2008, from http://www.nationalgallery.org.uk/

National Gallery of Ireland. (2008). Home page of the National Gallery of Ireland. Retrieved Feb 13, 2008, from http://www.nationalgallery.ie/

Negroponte, N. (2008). One Laptop per Child. Retrieved Jan 14, 2008, from http://web.media.mit.edu/~nicholas/

Nick Crofts, Doerr, M., Gill, T. Stead, S. and Stiff, M. (editors). (2008). CIDOC Conceptual Reference Model, version 4.2.2. Retrieved Jan 27, 2008, from http://cidoc.ics.forth.gr/

Pamuk, O. (2002). My name is Red (Benim Adım Kırmızı) (E. M. Göknar, Trans.). London: Faber.

Pamuk, O. (2005). Istanbul : memories of a city. London: Faber and Faber.

Parascandolo, R. (2004). Tutta l'opera del Caravaggio, una mostra impossibile. Retrieved Feb 8, 2008, from http://www.caravaggio.rai.it/

http://www.caravaggio.rai.it/index_en.htm

Parmigianino. (1532-40). The Madonna with the Long Neck. Retrieved Jan 4, 2007, from http://witcombe.sbc.edu/baroquetheory/images/ parmigianino.jpg

Picasso, P. (Artist). (1910a). Ambroise Vollard

Picasso, P. (1910b). Daniel-Henry Kahnweiler. Retrieved May 7, 2007, from http://www.flickr.com/photos/mihalorel/486123855/, http://en.wikipedia.org/wiki/Daniel-Henry_Kahnweiler

Picasso, P. (Artist). (1910c). Kahnweiler (B&W)

Picasso, P. (1937). Guernica. Retrieved Feb 3, 2008, from http://en.wikipedia.org/wiki/Image:PicassoGuernica.jpg

Posthumus, E. (2007). Flickr ICONCLASSify. Retrieved Jan 21, 2008, from http://www.iconclass.org/flickr

RAI International online. (circa 2004). Caravaggio, an impossible exhibition. Retrieved Feb 8, 2008, from http://www.italica.rai.it/eng/principal/topics/ art/caravaggio4.htm

Rifkin, J. (2000). The age of access : the new culture of hypercapitalism, where all of life is a paid-for experience. New York: J.P. Tarcher/ Putnam.

Rijksbureau voor Kunsthistorische Documentatie [RKD]. Iconclass. Retrieved Jan 19, 2008, from http://www.iconclass.nl/index.html

Rijksbureau voor Kunsthistorische Documentatie [RKD]. Iconclass Illustrated Libertas Edition. Retrieved Jan 19, 2008, from http://www.iconclass.nl/libertas/ic?style=index.xsl

Schmitz, P. (2006). Inducing Ontology from Flickr Tags. Retrieved Jan 3, 2007

Shirin-Hüsrev Unknown. Shirin examines Hüsrev’s portrait (B&W).

Sotirova, K. (2004). Edutainment games - homo culturalis vs homo ludens. Review of the National Center for Digitization, 2004(4), 84-98.

Sotirova, K. (2005). EDUTAINMENT (Game) – DIGITAL (RE)DISCOVERY OF CULTURE. Review of the National Center for Digitization, 2005(6), 58-68.

Sowa, J. F. (2000). Knowledge representation : logical, philosophical, and computational foundations. Pacific Grove, CA ; London: Brooks/Cole.

steve project. The Art Museum Social Tagging Project. Retrieved Feb 9, 2008, from http://www.steve.museum/

Sutton-Smith, B. (1997). The ambiguity of play. Cambridge, Mass. ; London: Harvard University Press.

Thompson, J. (2006). How to read a modern painting : lessons from the modern masters. New York: Abrams.

Thomson, A. (1964). A handbook of anatomy for art students (5th ed.). New York,: Dover Publications.

Titian. (1538). Venus of Urbino. Retrieved Jan 4, 2007, from http://www.abm-enterprises.net/urbinovenus.htm, http://en.wikipedia.org/wiki/Venus_of_Urbino

Tiziano, V. (Artist). (1550). Mater Dolorosa (with clasped hands) [Oil on canvas, 68 x 61 cm].

V&A. Victoria and Albert Museum. Retrieved Jan 19, 2007, from http://www.vam.ac.uk/

von Ahn, L., & Dabbish, L. (2004). Labeling Images with a Computer Game. Paper presented at the "CHI 2004". from http://www.cs.cmu.edu/~biglou/ESP.pdf

W3C. (2004). Web Ontology Language (OWL). Retrieved July 8, 2006, from http://www.w3.org/2004/OWL/

W en. Folksonomy. Retrieved Jan 4, 2007, from http://en.wikipedia.org/wiki/Folksonomy

W en. Information Management. Retrieved Dec 2, 2006, from http://en.wikipedia.org/wiki/Information_management

W en. Kāmadeva. Retrieved Feb 13, 2008, from http://en.wikipedia.org /wiki/Kamadeva

W en. Michel Eugène Chevreul. Retrieved Jan 2, 2007, from http://en.wikipedia.org/wiki/Michel_Eugène_Chevreul

W en. Quiff. Retrieved May 7, 2007, from http://en.wikipedia.org/wiki/Quiff

W en. Seahorse. Retrieved May 7, 2007, from http://en.wikipedia.org/ wiki/Seahorse

W en. The Sims 2. Retrieved Dec 19, 2006, from http://en.wikipedia.org/ wiki/The_Sims_2

W en. Sandro Botticelli. Retrieved Feb 13, 2008, from http://en.wikipedia.org/wiki/Sandro_Botticelli

Whittaker, S. (2007, 24-26 Ekim). On the Future of Information Retrieval. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu, Ankara: H.Ü.

Whittaker, S. (2008). Research Interests and Profile. Retrieved Feb 13, 2008, from http://www.shef.ac.uk/is/staff/whittaker.html, http://dis.shef.ac.uk/stevewhittaker/index.html

WordNet. (2008). WordNet. Retrieved Jan 27, 2008, from http://wordnet.princeton.edu/

Асса, Г. Model and Painter [sketch].

Маринска, Р., & Щилиянов, П. (1999). Българската живопис (1900–1950), София–Европа в контекста на европейското изкуство. София: Национална Художествена Галерия.

Орела, М. Retrieved Dec 19, 2006, from http://www.flickr.com/photos/ mihalorel/

Орела, М. (2006a). Nevermore. Retrieved Jan 4, 2007, from http://www.flickr.com/photos/mihalorel/328176500/

Орела, М. (2006b). Кибела. Retrieved Feb 3, 2008, from http://www.flickr.com/photos/mihalorel/332841021

Орела, М. (2006c). отвлечено понятие: майка и дете. Retrieved Feb 3, 2008, from http://www.flickr.com/photos /mihalorel/314770692/

Орела, М. (2006d). Росица Иванова, Titian's "Venus", Manet's "Olympia". Retrieved Jan 4, 2007, from http://www.flickr.com/photos/ mihalorel/ 336742873/

Орела, М. (2007). Иван Милев, АВТОПОРТРЕТ, 1920, детайл. Retrieved April 28, 2007, from http://www.flickr.com/photos /mihalorel/475366586/


Downloads

Downloads per month over past year

Actions (login required)

View Item View Item