Scholarly monographs on rock music: a bibliographic essay

Berger, Monica Scholarly monographs on rock music: a bibliographic essay. Collection Building, 2008, vol. 27, n. 1, pp. 4-13. [Journal article (Paginated)]

[thumbnail of Accepted Version]
Preview
Text (Accepted Version)
collection building postprint.pdf

Download (79kB) | Preview

English abstract

Purpose: This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences. Design/methodology/approach: This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciological scholars approach the topic; geographic approaches; literature on four key icons (Elvis, Dylan, Springsteen, and Madonna); American studies; subcultures and genres; other methodologies; and concludes by discussing notable recent works. Findings: The scholarly literature on rock incorporates a wide variety of approaches and methodologies. Many music-related scholars appropriate methodology from other disciplines and some non-music-related scholars use the formalistic analysis of music scholars. Authenticity is a major theme in the literature on rock. Originality/value: This essay covers the widest range of monographs on the topic, providing insight into not only the key scholars but also the diversity of approaches to the topic. The historical approach to the literature gives the reader a sense of how the academic discourse on rock has evolved. This essay is of interest to librarians, scholars of rock music, and others concerned with how American scholarship in the humanities and the social sciences has grown since the advent of cultural studies.

Item type: Journal article (Paginated)
Keywords: Rock music, Scholarly monographs, Methodology, Bibliographic essay
Subjects: H. Information sources, supports, channels. > HZ. None of these, but in this section.
J. Technical services in libraries, archives, museum. > JA. Acquisitions.
Depositing user: Monica Beger
Date deposited: 22 Mar 2013 10:49
Last modified: 02 Oct 2014 12:25
URI: http://hdl.handle.net/10760/18848

References

Arnett, J.J. (1996), Metalheads : Heavy Metal Music and Adolescent Alienation, Westview Press, Boulder, Colo.

Auslander, P. (2006), Performing Glam Rock : Gender and Theatricality in Popular Music, University of Michigan Press, Ann Arbor, Mich.

Banks, J. (1996), Monopoly Television : MTV's Quest to Control the Music, Westview Press, Boulder, CO.

Belz, C. (1969), The Story of Rock, Oxford University Press, New York.

Bennett, H.S. (1980), On Becoming a Rock Musician, University of Massachusetts Press, Amherst.

Bennett, A. (2002), "Researching youth culture and popular music: a methodological critique", The British journal of sociology, Vol. 53 No. 3, p. 451-466.

Berger, H.M. (1999), Metal, Rock, and Jazz : Perception and the Phenomenology of Musical Experience, University Press of New England, Hanover, NH.

Bertrand, M.T. (2000), Race, Rock, and Elvis, University of Illinois Press, Urbana.

Billig, M. (2001), Rock 'n' Roll Jews, Syracuse University Press, Syracuse, N.Y.

Bowden, B. (1982), Performed Literature : Words and Music by Bob Dylan, Indiana University Press, Bloomington.

Burns, L. & Lafrance, M. (2002), Disruptive Divas : Feminism, Identity & Popular Music, Routledge, New York.

Cagle, V.M. (1995), Reconstructing pop/subculture : Art, Rock, and Andy Warhol, Sage Publications, Thousand Oaks, Calif.

Carson, M.J., Lewis, T. & Shaw, S.M. (2004), Girls Rock! : Fifty Years of Women Making Music, University Press of Kentucky, Lexington, Ky.

Cavicchi, D. (1998), Tramps Like Us : Music & Meaning among Springsteen Fans, Oxford University Press, New York.

Covach, J. 1997, "We won't get fooled again : Rock music and musical analysis", in L. Siegel, D. Schwarz & A. Kassabian (Eds.), Keeping Score : Music, Disciplinarity, Culture University Press of Virginia, Charlottesville, pp. 75.

Cullen, J. (1997), Born in the U.S.A. : Bruce Springsteen and the American Tradition, 1st ed., Harper Collins, New York.

Curtis, J. (1987), Rock Eras : Interpretations of Music and Society, 1954-1984, Bowling Green State University Popular Press, Bowling Green, Ohio.

Denisoff, R.S. (1983), Sing a Song of Social Significance, 2nd ed., Bowling Green State University Popular Press, Bowling Green, Ohio.

Denisoff, R.S. & Plasketes, G. (1995), True Disbelievers : The Elvis Contagion, Transaction Publishers, New Brunswick, N.J.

Denisoff, R.S. & Romanowski, W.D. (1991), Risky Business : Rock in Film, Transaction Publishers, New Brunswick U.S.A.

Dettmar, K.J.H. (2005), Is Rock Dead? Routledge, New York ; London.

Dolfsma, W. (2004), Institutional Economics and the Formation of Preferences : The Advent of Pop Music, Edward Elgar Publishing, Northampton, Mass.

Doll, S. (1998), Understanding Elvis : Southern Roots Vs. Star Image, Garland, New York.

Doss, E.L. (1999), Elvis Culture : Fans, Faith, & Image, University Press of Kansas, Lawrence, Kan.

Echard, W. (2005), Neil Young and the Poetics of Energy, Indiana University Press, Bloomington.

Elliott, A. (1999), The Mourning of John Lennon, University of California Press, Berkeley.

Faith, K. (1997), Madonna, Bawdy & Soul, University of Toronto Press, Toronto ; Buffalo.

Fast, S. (2001), In the Houses of the Holy : Led Zeppelin and the Power of Rock Music, Oxford University Press, Oxford ; New York.

Filene, B. (2000), Romancing the Folk : Public Memory & American Roots Music, University of North Carolina Press, Chapel Hill.

Fowlie, W. (1994), Rimbaud and Jim Morrison : The Rebel as Poet, Duke University Press, Durham.

Friskics-Warren, B. (2005), I'Ll Take You there : Pop Music and the Urge for Transcendence, Continuum, New York.

Frith, S. (1988), Music for Pleasure : Essays in the Sociology of Pop, Routledge, New York.

Frith, S. (1996), Performing Rites : On the Value of Popular Music, Harvard University Press, Cambridge, Mass.

Frith, S. & Goodwin, A. (1990), On Record : Rock, Pop, and the Written Word, 1st ed., Pantheon Books, New York.

Garman, B.K. (2000), A Race of Singers : Whitman's Working-Class Hero from Guthrie to Springsteen, University of North Carolina Press, Chapel Hill.

Gendron, B. (2002), Between Montmartre and the Mudd Club : Popular Music and the Avant-Garde, University of Chicago Press, Chicago.

Gillett, C. (1970), The Sound of the City: The Rise of Rock and Roll, Outerbridge & Dienstfrey, distributed by E.P. Dutton, New York.

Goodwin, A. (1992), Dancing in the Distraction Factory : Music Television and Popular Culture, University of Minnesota Press, Minneapolis.

Gracyk, T. (2001), I Wanna be Me : Rock Music and the Politics of Identity, Temple University Press, Philadelphia.

Gracyk, T. (1996), Rhythm and Noise : An Aesthetics of Rock, Duke University Press, Durham, NC.

Grenier, L., Kassabian, A., Brackett, D. & Straw, W. (1999), "Roundtable: The Future of Popular Music Studies", Journal of Popular Music Studies, Vol. 11-12 No. 1, p. 151-166.

Guilbert, G. (2002), Madonna as Postmodern Myth : How One Star's Self-Construction Rewrites Sex, Gender, Hollywood, and the American Dream, McFarland & Co., Jefferson, N.C.

Hamelman, S.L. (2004), But is it Garbage? : On Rock and Trash, University of Georgia Press, Athens.

Harrington, C.L. & Bielby, D.D. 2001, "Constructing the popular: Cultural production and consumption", in C.L. Harrington & D.D. Bielby (Eds.), Popular Culture : Production and Consumption Blackwell Publishers, Malden, Mass., pp. 1-15.

Harris, J.F. (1993), Philosophy at 33 1/3 Rpm : Themes of Classic Rock Music, Open Court, Chicago, Ill.

Herdman, J. (1982), Voice without Restraint : A Study of Bob Dylan's Lyrics and their Background, Delilah Books : Distributed by G.P. Putnam's Sons, New York.

Hicks, M. (1999), Sixties Rock : Garage, Psychedelic, and Other Satisfactions, University of Illinois Press, Urbana.

Howard, J.R. & Streck, J.M. (1999), Apostles of Rock : The Splintered World of Contemporary Christian Music, University Press of Kentucky, Lexington.

Jones, S. (1992), Rock Formation : Music, Technology, and Mass Communication, Sage, Newbury Park, Calif.

Kaplan, E.A. (1987), Rocking Around the Clock : Music Television, Postmodernism, and Consumer Culture, Methuen, New York.

Kearney, M.C. (2006), Girls make Media, 1st ed., Routledge, New York.

Keith, M.C. (1997), Voices in the Purple Haze : Underground Radio and the Sixties, Praeger, Westport, Conn.

Kolloge, R. (1999), The Times they are a-Changin' : The Evolution of Rock Music and Youth Cultures, Peter Lang, Frankfurt am Main ; New York.

Kruse, R.J. (2005), A Cultural Geography of the Beatles : Representing Landscapes as Musical Texts (Strawberry Fields, Abbey Road, and Penny Lane), E. Mellen Press, Lewiston, N.Y.

Laing, D. (1985), One Chord Wonders : Power and Meaning in Punk Rock, Open University Press, Milton Keynes, England ; Philadelphia.

Laird, T.E.W. (2005), Louisiana Hayride : Radio and Roots Music Along the Red River, Oxford University Press, Oxford ; New York.

Lehman, P. (2003), Roy Orbison : The Invention of an Alternative Rock Masculinity, Temple University Press, Philadelphia.

Lewis, L.A. (1990), Gender Politics and MTV : Voicing the Difference, Temple University Press, Philadelphia.

Lindberg, Ulf et al. (2005), Rock Criticism from the Beginning : Amusers, Bruisers, and Cool-Headed Cruisers, Peter Lang, New York.

London, H.I. (1984), Closing the Circle : A Cultural History of the Rock Revolution, Nelson-Hall, Chicago.

Mahon, M. (2004), Right to Rock : The Black Rock Coalition and the Cultural Politics of Race, Duke University Press, Durham.

Malott, C. & Peña, M. (2004), Punk Rockers' Revolution : A Pedagogy of Race, Class, and Gender, Peter Lang, New York.

Marcus, G. (1991), Dead Elvis : A Chronicle of a Cultural Obsession, 1st ed., Doubleday, New York.

Marcus, G. (1997), Invisible Republic : Bob Dylan's Basement Tapes, Picador, London.

Marcus, G. (1975), Mystery Train : Images of America in Rock 'n' Roll Music, 1st ed., E.P. Dutton, New York.

Marcus, G. (2005), Once upon a Time : Bob Dylan's Like a Rolling Stone, 1st ed., PublicAffairs, New York.

Marling, K.A. (1996), Graceland : Going Home with Elvis, Harvard University Press, Cambridge, Mass.

Martin, B. (2002), Avant Rock : Experimental Music from the Beatles to Björk, Open Court, Chicago.

Mellers, W.H. (1986), Angels of the Night : Popular Female Singers of our Time, B. Blackwell, New York.

Mellers, W.H. (1985), A Darker Shade of Pale : A Backdrop to Bob Dylan, Oxford University Press, New York.

Middleton, R. (1990), Studying Popular Music, Open University Press, Milton Keynes England ; Philadelphia.

Miklitsch, R. 1998, "The case of madonna studies", in From Hegel to Madonna : Towards a General Economy of "Commodity Fetishism" State University of New York Press, Albany, pp. 224.

Mowitt, J. (2002), Percussion : Drumming, Beating, Striking, Duke University Press, Durham.

Negus, K. (1999), Music Genres and Corporate Cultures, Routledge, London ; New York.

Negus, K. (1997), Popular Music in Theory : An Introduction, 1st U.S. ed., University Press of New England, Hanover, NH.

Nehring, N. (1997), Popular Music, Gender, and Postmodernism : Anger is an Energy, Sage Publications, Thousand Oaks, Calif.

Orman, J.M. (1984), The Politics of Rock Music, Nelson-Hall, Chicago.

Pattison, R. (1987), The Triumph of Vulgarity : Rock Music in the Mirror of Romanticism, Oxford University Press, New York.

Pielke, R.G. (1986), You Say You Want a Revolution : Rock Music in American Culture, Nelson-Hall, Chicago.

Plasketes, G. (1997), Images of Elvis Presley in American Culture, 1977-1997 : The Mystery Terrain, Haworth Press, New York.

Pratt, R. (1990), Rhythm and Resistance : Explorations in the Political Uses of Popular Music, Praeger, New York.

Radway, J.A. (1991), Reading the Romance : Women, Patriarchy, and Popular Literature, University of North Carolina Press, Chapel Hill.

Reyes, D. & Waldman, T. (1998), Land of a Thousand Dances : Chicano Rock 'n' Roll from Southern California, 1st ed., University of New Mexico Press, Albuquerque.

Reynolds, S. & Press, J. (1995), The Sex Revolts : Gender, Rebellion, and Rock 'n' Roll, Harvard University Press, Cambridge, Mass.

Rhodes, L. (2005), Electric Ladyland : Women and Rock Culture, University of Pennsylvania Press, Philadelphia.

Ricks, C.B. (2004), Dylan's Visions of Sin, Ecco, New York.

Rodman, G.B. (1996), Elvis After Elvis : The Posthumous Career of a Living Legend, Routledge, London ; New York.

Sadie, S. & Tyrrell, J. (2001), The New Grove Dictionary of Music and Musicians, 2nd ed., Grove, New York.

Sanjek, R. & Sanjek, D. (1991), American Popular Music Business in the 20th Century, Oxford University Press, New York.

Scheurer, T.E. (1991), Born in the U.S.A. : The Myth of America in Popular Music from Colonial Times to the Present, University Press of Mississippi, Jackson.

Schippers, M. (2002), Rockin' Out of the Box : Gender Maneuvering in Alternative Hard Rock, Rutgers University Press, New Brunswick, N.J.

Schwarz, D. (1997), Listening Subjects : Music, Psychoanalysis, Culture, Duke University Press, Durham.

Shank, B. (1994), Dissonant Identities : The Rock 'n' Roll Scene in Austin, Texas, University Press of New England, Hanover, NH.

Shepherd, J. (1991), Music as Social Text, Polity Press, Cambridge, UK.

Shuker, R. (2001), Understanding Popular Music, 2nd ed., Routledge, London ; New York.

Smith, L.D. (2002), Bob Dylan, Bruce Springsteen, and American Song, Praeger, Westport, Conn.

Street, J. (1997), Politics and Popular Culture, Temple University Press, Philadelphia.

Street, J. (1986), Rebel Rock : The Politics of Popular Music, Blackwell, Oxford, OX, UK ; New York, NY, USA.

Sullivan, H.W. (1995), The Beatles with Lacan : Rock 'n' Roll as Requiem for the Modern Age, P. Lang, New York.

Sylvan, R. (2002), Traces of the Spirit : The Religious Dimensions of Popular Music, New York University Press, New York.

Thompson, S. (2004), Punk Productions : Unfinished Business, State University of New York Press, Albany.

Waksman, S. (1999), Instruments of Desire : The Electric Guitar and the Shaping of Musical Experience, Harvard University Press, Cambridge, Mass.

Walser, R. (1993), Running with the Devil : Power, Gender, and Madness in Heavy Metal Music, University Press of New England, Hanover, NH.

Watson, B. (1995), Frank Zappa : The Negative Dialectics of Poodle Play, 1st U.S. ed., St. Martin's Press, New York.

Weinstein, D. (2000), Heavy Metal : The Music and its Culture, Rev. , 1st Da Capo Press ed., Da Capo Press, New York.

White, T. (1994), The Nearest Faraway Place : Brian Wilson, the Beach Boys, and the Southern California Experience, 1st ed., H. Holt, New York.

Whiteley, S. (2000), Women and Popular Music : Sexuality, Identity, and Subjectivity, Routledge, London ; New York.

Wicke, P. (1990), Rock Music : Culture, Aesthetics, and Sociology, Cambridge University Press, Cambridge ; New York.

Wiener, J. (1991), Come Together : John Lennon in His Time, Illini books ed., University of Illinois Press, Urbana.

Wiener, J. (1999), Gimme some Truth : The John Lennon FBI Files, University of California Press, Berkeley Calif.

Young, T.H. (1989), Break all Rules! : Punk Rock and the Making of a Style, UMI Research Press, Ann Arbor, Mich.


Downloads

Downloads per month over past year

Actions (login required)

View Item View Item