Problemi di organizzazione dell’authority control in campo musicale: nomi e titoli convenzionali [Versione italiana presentata alla Conferenza internazionale] = Authority control in the field of the music: names and titles [English version presented at the International Conference]

Gentili Tedeschi, Massimo and Riva, Federica Problemi di organizzazione dell’authority control in campo musicale: nomi e titoli convenzionali [Versione italiana presentata alla Conferenza internazionale] = Authority control in the field of the music: names and titles [English version presented at the International Conference]., 2003 . In International Conference Authority Control: Definition and International Experiences, Florence, February 10-12 2003. (Unpublished) [Conference paper]

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English abstract

Parallel to the worldwide dissemination of music is the dissemination of musical documents, presenting some typical characters that differentiate it from the dissemination of literary documents. Music notation is a much more complicated and expensive process than text writing, thus music manuscripts have been widely used until the mid-20th century and are now large part of materials preserved in libraries. Thus compelled by the circumstances, music librarianship recognised by the mid-20th century the need to focus the cataloguing process on all kinds of documents preserving music and information about musical events, regardless of the materials, and developed international repertories, reference tools and standards.

Italian abstract

Parallela alla diffusione mondiale della musica è la diffusione dei documenti musicali, che si distingue per alcune peculiarità dalla diffusione dei documenti letterari. La notazione della musica è un processo molto più complicato e costoso della scrittura di un testo, per cui i manoscritti musicali sono stati ampiamente diffusi fino alla metà del Novecento e costituiscono una larga parte dei materiali musicali conservati oggi nelle biblioteche. Costretta dalle circostanze, la biblioteconomia musicale ha riconosciuto già dalla metà del XX secolo la necessità di focalizzare il processo di catalogazione su tutti i tipi di documenti relativi alla musica e agli eventi musicali, indipendentemente dai materiali, e ha sviluppato progetti, repertori e standard a livello internazionale.

Item type:	Conference paper
Keywords:	Authority control, musical documents, published music, printed music, musica practica, sheet music, musicalia, Code international de catalogage de la musique, authority files, Unicode, UNIMARC, music cataloguing, music cataloging, International association of music libraries, archives and music documentation centers, IAML, music librarianship, uniform titles, sound recordings Controllo d’autorità, documenti musicali, musica a stampa, musica scritta, biblioteconomia musicale, registrazioni sonore, archivi d’autorità, titoli uniformi, ISBD(PM), catalogazione, Répertoire International des Sources Musicales, RISM, base dati SBN Musica, Archivio Digitale Musicale Veneto, ADMV
Subjects:	H. Information sources, supports, channels. I. Information treatment for information services
Depositing user:	Maria Cristina Bassi
Date deposited:	08 Aug 2003
Last modified:	02 Oct 2014 11:57
URI:	http://hdl.handle.net/10760/4163

References

[1] Association internationale des bibliothèques musicales, Commission internationale du code de catalogage. Code international de catalogage de la musique. Frankfurt: Peters, 1957-1983. 1. Fanz Grasberger, Der Autoren-Katalog der Musikdrucke, 1957; 2. Code restreint, compiled by Yvette Fédoroff, 1961; 3 Rules for full cataloguing, compiled by Virginia Cunningham (1971); 4. Rules for cataloguing music manuscripts, compiled by Marie Louise Göllner (1975); 5. Le catalogage des enregistrements sonores, rédigé par Simone Wallon, Kurt Dorfmüller, avec la collaboration de Yvette Fédoroff and Virginia Cunningham (1983). [2] The new Grove dictionary of music and musicians, 2. ed., edited by Stanley Sadie; executive editor John Tyrrell. London: Macmillan, 2001. [3] Dizionario enciclopedico universale della musica e dei musicisti, diretto da Alberto Basso. To-rino: UTET, 1983-1990. [4] International Federation of Library Associations and Institutions (IFLA). ISBD (PM): International standard bibliographic description for printed music, 2. rev. ed., recommended by the Project group on ISBD(PM) of the International association of music libraries, archives and documentation centres (IAML), approved by the Standing committees of the IFLA sections on cataloguing and information technology. München: Saur, 1991 (Ed. italiana a cura dell’ICCU. Roma: ICCU, 1993). [5] Barry S. Brook - Richard Viano. Thematic catalogues in music, 2. ed. Stuyvesant, NY: Pendragon Press, 1997 (Annotated reference tools in Music, 5). [6] Mireille Geering. Report of the Working group on uniform titles for manuscript collection other than liturgical. «Fontes Artis Musicae» 40 (1993), n. 1, p. 57; n. 2, p. 151-152; 41 (1994), n. 2, p. 207-208; 42 (1995), n. 2, p. 184-185. [7] Stefano Cavaglieri. The development of the VTLS/Virtual music module and multilingual cataloguing. IAML Conference, Genève, 2 September 1997. [8] Mari Itoh. Multi-lingual online catalogue system: LS/1 library system at the Kunitachi College of Music. IAML Conference, Berkeley, 7 August 2002.

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