The Memory Within Photography: How to Observe Photographic Images in the “Post” Context

Brasil-de-Mattos, Rodrigo and Correa-Lopes, Tiago-Ricciardi The Memory Within Photography: How to Observe Photographic Images in the “Post” Context. Journal of Creative Industries and Cultural Studies - JOCIS, 2022, n. 7, pp. 59-74. [Journal article (Paginated)]

[thumbnail of Research article]
Preview
Text (Research article)
The-Memory-Within-Photography--How-to-Observe-Photographic-Images-in-the-Post-Context.pdf - Published version

Download (1MB) | Preview

English abstract

The photographic making has become, in recent decades, a tangle of practices, techniques, and modes of circulation, which makes it a challenge to define what is a photograph today, after all. In this text, we propose a reflection on how to observe contemporary photographic images in networked environments through the concepts of Interface Photography and the Web of Imaginariness. We suggest an approach that emphasizes not only the surfaces of the images but also considers the surroundings that integrate with them, helping to unearth other memory images that are part of their constitution. Furthermore, it’s also reflected on the role of the medium – the Instagram image sharing platform – as a device that conditions and promotes the agency of memorial and aesthetic relationships between circulating networked photographic images.

Item type: Journal article (Paginated)
Keywords: Photography, memory, interface photography, web of imaginariness, Instagram.
Subjects: B. Information use and sociology of information > BA. Use and impact of information.
E. Publishing and legal issues. > EA. Mass media.
H. Information sources, supports, channels. > HT. Web 2.0, Social networks
Depositing user: Dr. Nicoleta-Roxana Dinu
Date deposited: 03 Aug 2022 20:40
Last modified: 18 Jan 2023 11:55
URI: http://hdl.handle.net/10760/43371

References

Agamben, Giorgio, 2005. O que é um dispositivo?. Outra Travessia, nº5: 9–16. Available at:

https://periodicos.ufsc.br/index.php/Outra/article/view/12576/11743

https://doi.org/10.5007/%25x

Benjamin, Walter, 1986. Magia e técnica, arte e política. São Paulo: Brasiliense. Bergson, Henri, 2006. Memória e Vida. São Paulo: Martins Fontes.

Casetti, Francesco, 2015. The Lumière galaxy: seven key words for the cinema to come. New York: Columbia University Press. DOI:

https://doi.org/10.7312/case17242

Dubois, Philippe, 2019. Pós Fotografia, Pós Cinema: novas configurações das imagens. São Paulo: Edições SESC.

Fischer, Gustavo Daudt, 2012. Desencavando Interfaces: Reflexões Sobre Arqueologia da Mídia e Procedimentos de ‘Resgate’ de Páginas Web. In: Tecnologia, pra quê? Os impactos dos dispositivos tecnológicos no campo da comunicação, edited by Beneveuto Jr. and Steffen, C.. 37–52. Porto Alegre: Armazém Digital.

Flusser, Vilém, 1995. Filosofia da Caixa Preta: Ensaios para uma futura filosofia da fotografia. São Paulo: Hucitec.

Huhtamo, Erkki, Parikka, Jussi, 2011. Media Archaeology: Approaches, Applications, and Implications. England: University of California Press.

Telles, Márcio, 2017. A(s) Arqueologia(s) das Mídias em Quatro Teses. Anais do Intercom, nº 40: 1–15. Available at:

http://portalintercom.org.br/anais/nacional2017/resumos/R12-0084-1.pdf


Downloads

Downloads per month over past year

Actions (login required)

View Item View Item