Solaris, regia Andrei Tarkovsky - Tehnica cinematografică

Sfetcu, Nicolae Solaris, regia Andrei Tarkovsky - Tehnica cinematografică., 2019 [Preprint]

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English abstract

Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he wanted to highlight the unique characteristic of cinema as a medium, that of approaching our experience of time and modifying it. The irregular film transcribes time in real time. Using long takes and a few cuts in his films, he aimed to give viewers a sense of the passage of time, lost time, and the relationship between one moment in time and another. He regards cinema as a representation of distinctive currents or waves of time, conveyed in film by its internal rhythm. Rhythm is at the center of the "poetic film."

Romanian abstract

Tarkovsky a dezvoltat o teorie a cinematografiei pe care a numit-o "sculptarea în timp". Prin aceasta el a vrut să evidențieze caracteristica unică a cinematografiei ca mediu, aceea de aborda experiența noastră despre timp și de a o modifica. Filmul neregulat transcrie timpul în timp real. Folosind filmări lungi și câteva tăieturi în filmele sale, el a urmărit să ofere spectatorilor un sentiment de trecere a timpului, timpul pierdut și relația dintre un moment de timp și altul. El consideră cinematografia ca o reprezentare a curenților distinctivi sau undelor de timp, transmise în film prin ritmul său intern. Ritmul este în centrul "filmului poetic."

Item type: Preprint
Keywords: Solaris, Andrei Tarkovsky, tehnica cinematografică, sculptarea în timp, cinematografie, film
Subjects: D. Libraries as physical collections. > DZ. None of these, but in this section.
Depositing user: Nicolae Sfetcu
Date deposited: 31 Aug 2023 08:47
Last modified: 31 Aug 2023 08:47
URI: http://hdl.handle.net/10760/44726

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