Psychology of the film Solaris directed by Andrei Tarkovsky

Sfetcu, Nicolae Psychology of the film Solaris directed by Andrei Tarkovsky., 2019 [Preprint]

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English abstract

Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris station crew. Tarkovski wanted to address this way the deeply emotional and intellectual science-fantastic genre, considered by him to be superficial. The film approaches a central phenomenon of Klaus Holzkamp’s critical-psychological analysis of human perception: the perceptions of the human world are significant to human beings. In perception, human beings are oriented towards an objective sense, which objects possess it in connection with the vital activity of the people. By virtue of this quality, the localization of meanings in objects is exclusively a characteristic of the human world.

Item type: Preprint
Keywords: psychology, film, Solaris, Andrei Tarkovsky, movie, Klaus Holzkamp
Subjects: D. Libraries as physical collections. > DI. Science libraries.
Depositing user: Nicolae Sfetcu
Date deposited: 19 Mar 2024 07:29
Last modified: 19 Mar 2024 07:29
URI: http://hdl.handle.net/10760/45642

References

Fanu, Mark Le. 1987. The Cinema of Andrei Tarkovsky. BFI.

Geier, Manfred. 1992. “Manfred Geier- Stanislaw Lem’s Fantastic Ocean: Toward a Semantic Interpretation of Solaris.” 1992. https://www.depauw.edu/sfs/backissues/57/geier57art.htm.

Griffin, David Ray. 1998. “Pantemporalism and Panexperientialism.” In The Textures of Time, edited by P. Harris. University of Michigan Press.

Holzkamp, Klaus. 1989. Sinnliche Erkenntnis. Historischer Ursprung und gesellschaftliche Funktion der Wahrnehmung. Königstein/Ts: Athenaeum Vlg., Bodenheim.

Jerzy, Illg, and Leonard Neuger. 1985. “’Tm Interested in the Problem of Inner Freedom…” Interview w/Andrei Tarkovsky.” 1985. https://people.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/interview.html.

Martin, Sean. 2011. Andrei Tarkovsky. Oldcastle Books.

McFadden, Daniel. 2012. “Memory and Being: The Uncanny in the Films of Andrei Tarkovsky.” Verges: Germanic & Slavic Studies in Review 1 (1). https://journals.uvic.ca/index.php/verges/article/view/10846.

Salvestroni, Simonetta. 1987. “The Science-Fiction Films of Andrei Tarkovsky (Les Films de Science-Fiction d’AndreiTarkovsky).” Science Fiction Studies 14 (3).

Tarkovsky, Andrei. 1972. Solaris. Drama, Mystery, Sci-Fi. http://www.imdb.com/title/tt0069293/.

Weissert, Thomas P. 1992. “Stanislaw Lem and a Topology of Mind (Stanislaw Lem et Une Topologie de l’esprit).” Science Fiction Studies 19 (2): 161–66. http://www.jstor.org/stable/4240148.

Wittgenstein, Ludwig. 1953. Philosophical Investigations. 4 edition. Cambridge, Mass: Wiley-Blackwell.


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