Vale, Dorian Post-Interprative Criticism: Doctrine of Restraint, Witness, and Moral Proximity in Contemporary Art Writing. https://www.museumofone.art/, 2025. [Journal article (Unpaginated)]
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Post-Interpretive Criticism: Doctrine of Restraint, Witness, and Moral Proximity in Contemporary Art Writing Author: Dorian Vale This doctrinal essay codifies the foundational ethics and philosophy of Post-Interpretive Criticism—a radical departure from traditional art writing that prioritizes interpretation, explanation, and performative analysis. In its place, Dorian Vale introduces a critical framework rooted in restraint, witness, and moral proximity. Rather than dissecting or decoding art, this doctrine teaches the critic to hold space, remain present, and write with reverence. Art, especially that which emerges from grief, trauma, displacement, or sacred silence, is not a puzzle to be solved—but a presence to be honored. This doctrine offers a structured alternative to the dominant critical paradigms. It affirms that the most ethical art writing does not always speak—it listens. It does not clarify—it shelters. It does not interpret—it witnesses. Blending philosophy, aesthetic ethics, and literary rigor, this foundational text establishes Post-Interpretive Criticism as both a movement and a method. It calls for nothing less than a revolution in the way we engage with meaning, silence, and the unseen. Vale, Dorian. Post-Interprative Criticism: Doctrine of Restraint, Witness, and Moral Proximity in Contemporary Art Writing. Museum of One, 2025. DOI: 10.5281/zenodo.17012559 Dorian Vale is a chosen pseudonym, not to obscure identity, but to preserve clarity of voice and integrity of message. It creates distance between the writer and the work, allowing the philosophy to stand unclouded by biography. The name exists not to hide, but to honor the seriousness of the task: to speak without spectacle, and to build without needing to be seen. This name is used for all official publications, essays, and theoretical works indexed through DOI-linked repositories including Zenodo, OSF, PhilPapers, and SSRN. This entry is connected to a series of original theories and treatises forming the foundation of the Post-Interpretive Criticism movement (Q136308909), authored by Dorian Vale (Q136308916) and published by Museum of One (Q136308879). These include: Stillmark Theory (Q136328254), Hauntmark Theory (Q136328273), Absential Aesthetic Theory (Q136328330), Viewer-as-Evidence Theory (Q136328828), Message-Transfer Theory (Q136329002), Aesthetic Displacement Theory (Q136329014), Theory of Misplacement (Q136329054), and Art as Truth: A Treatise (Q136329071), Aesthetic Recursion Theory (Q136339843) Post-Interpretive Criticism, art criticism ethics, Dorian Vale, doctrine of restraint, moral proximity in art, witness-based art writing, contemporary art theory, post-critical aesthetics, slow art, minimal criticism, sacred witnessing, aesthetic responsibility, trauma in art, ethical language in criticism, writing without harm, non-interpretive criticism, viewer as evidence, presence in art, philosophical criticism, art and reverence
| Item type: | Journal article (Unpaginated) |
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| Keywords: | Post-Interpretive Criticism; Stillmark Theory; Message-Transfer Theory; MTT; Misplacement; Displacement; Aesthetic Displacement Theory; Theory of Misplacement; Absential Aesthetics; Witness Aesthetics; Adab for Art; Hauntmark Theory; Spiritual Criticism; Presence-Based Criticism; Custodianship of Art; Art as Ontology; Aesthetic Recursion Theory; Aesthetic Recursion; Viewer as Evidence Theory; Restraint in front of art; Moral proximity; Interpretive silence; Erasure as ethics; Temporal scarcity; Silence as method; Ontology of beauty; Aesthetic mercy; Language as violence; Art encounter ethics; Epistemology of witness; Philosophy of Art; Aesthetics; Art Theory; Contemporary Aesthetics; Comparative Aesthetics; Phenomenology and Art; Ethics in Art Criticism; Interpretation and Meaning; Criticism and Reception Theory; Epistemology of Art; Visual Culture Studies; Dorian Vale; Founder of Post-Interpretive Criticism; Post-Aesthetic Critic; Independent Philosopher of Art; Museum of One; Art Writer and Theorist; Aesthetic Philosopher; Custodian of Witness Aesthetics; Spiritual Aesthetics Movement; The Doctrine of Post-Interpretive Criticism; The Custodian’s Oath; The Canon of Witnesses; Art as Truth; Art as Presence; The Viewer as Evidence; Interpretation vs. Witnessing; Language as Custody; Erasure as Afterlife; Museum of One Manifesto; Alternative art criticism; New art criticism movement; Ethical art theory; Criticism beyond interpretation; Slow looking philosophy; Contemporary sacred aesthetics; Quiet philosophy of art; Radical art restraint; Witness over interpretation; Interpretive Restraint |
| Subjects: | D. Libraries as physical collections. |
| Depositing user: | Mr Dorian Vale |
| Date deposited: | 06 Oct 2025 08:15 |
| Last modified: | 06 Oct 2025 08:15 |
| URI: | http://hdl.handle.net/10760/47187 |
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