Pelc, Milan Od primanja do stvaranja : hrvatska grafika 15. i 16. stoljeća. Vjesnik bibliotekara Hrvatske, 2005, vol. 48, n. 3-4, pp. 16-49. [Journal article (Paginated)]
Preview |
PDF
VBH_3-4_2005_Pelc.pdf Download (833kB) | Preview |
English abstract
As a new visual medium, prints appeared almost at the same time as printing industry and started gaining recognition in Croatia in the second half of the 15th century owing to the use of printed materials which provided the local craftsmen, painters and illuminators with the models to be copied. During the Renaissance, prints became fairly commonplace among the Croatian people, largely due to the illustrations found in religious books, especially those written in the Croatian language which were printed either in Venice or in one of the few local printing-houses (Senj, Rijeka, Nedelišće, Varaždin). Particularly strong at the time was the impact of the Venetian woodcuts found in a number of publications written in Glagolitic script and less frequently in those written in Cyrillic script or Latin. Judging by the works of Marko Marulić (who, contrary to a common belief, was not the author of the illustrations published in his epic poem Judita) to those of Dominko Zlatarić, Venetian woodcuts exerted an important influence on the acceptance of prints along the Croatian Adriatic Coast during the 16th century. Prints frequently provided a source of inspiration for the local artists, thus making a significant contribution to the spreading of the Renaissance style within the intellectual context of Humanism. Around the middle of the 16th century, North-European prints became more widely available, primarily due to the publications of Croatian protestants from Urach near Tübingen. After giving an outline of the above-mentioned, largely passive acceptance of prints, the paper concludes with an emphasis on the creative contribution to the European history of printmaking by some "Schiavone" masters who were of Croatian origin but were active outside the boundaries of present-day Croatia. Those artists include Andrija Medulić (Andrea Meldolla Schiavone), Martin Rota Kolunić, Natale Bonifacio and Juraj Julije Klović (Giorgio Giulio Clovio).
Croatian abstract
Recepcija grafike kao novoga vizualnog medija koji se pojavljuje i razvija gotovo usporedno s tiskarstvom, ostvaruje se u Hrvatskoj od druge polovice 15. st. putem grafičkih listova koji služe kao predlošci lokalnim majstorima, slikarima odnosno iluminatorima. Tijekom renesansnog razdoblja grafička slika udomaćuje se među hrvatskom publikom zahvaljujući knjižnim ilustracijama, u prvom redu u nabožnim i liturgijskim knjigama, posebice u knjigama na hrvatskom jeziku koje se tiskaju u Veneciji, te u malobrojnim domaćim tiskarama (Senj, Rijeka, Nedelišće, Varaždin). Osobito je snažna prisutnost mletačke drvorezne ilustracije toga vremena u nizu izdanja na glagoljici, nešto rjeđe na ćirilici i na latinskom jeziku i pismu. Od Marka Marulića (koji nije bio autor ilustracija u spjevu Judita, kako se to uglavnom misli), do Dominka Zlatarića, mletačka je drvorezna ilustracija obilježila recepciju grafičke slike u jadranskoj Hrvatskoj 16. st. U mnogim slučajevima grafičke su slike bile inspiracija ili izvor motiva i likovnih predložaka domaćim umjetnicima, davši zamjetan doprinos širenju renesansnoga likovnog ukusa, povezanog s intelektualnim ozračjem humanizma. Oko sredine 16. st. dolazi do jačeg prodora grafičkih slika iz sjeverne Europe, u prvom redu zahvaljujući izdanjima hrvatskih protestanata u Urachu kraj Tübingena. Nakon prikaza navedenih oblika pretežno pasivne recepcije grafičkih slika, na kraju rada istaknut je kreativni doprinos povijesti europske grafike nekolicine umjetnika Schiavona, majstora podrijetlom iz hrvatskih krajeva, koji su djelovali izvan uže domovine: Andrije Medulića (Andrea Meldolla Schiavone), Martina Rote Kolunića, Natalea Bonifacija i Jurja Julija Klovića (Giorgio Giulio Clovio).
| Item type: | Journal article (Paginated) |
|---|---|
| Keywords: | grafika, knjižna ilustracija, Hrvatska, renesansa; prints, book illustration, Croatia, Renaissance |
| Subjects: | E. Publishing and legal issues. > EZ. None of these, but in this section. H. Information sources, supports, channels. > HD. Rare books and manuscripts. |
| Depositing user: | Damir Pavelic |
| Date deposited: | 18 May 2006 |
| Last modified: | 02 Oct 2014 12:03 |
| URI: | http://hdl.handle.net/10760/7567 |
References
Downloads
Downloads per month over past year
Actions (login required)
 |
View Item |
Facebook
Twitter
LinkedIn
RSS