Documentos de arquivo na filmografia brasileira sobre a ditadura militar.

Rosa, Rafael Augusto Mendes, Rodrigues, Georgete Medleg and Manini, Miriam Paula Documentos de arquivo na filmografia brasileira sobre a ditadura militar., 2019 [Preprint]

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English abstract

The paper presents part of the masters research developed at the University of Brasília that analyzed and identified the use of archive documents in films about the Brazilian military dictatorship. Here we present the results related to the identification of the categories of archives and genres of documents sought and used in Brazilian films about the dictatorship, produced between 1985 and 2014. The use, mainly of iconographic documents, for the cinema in the construction of film narratives occurs in documentaries and also in fiction, evidencing the archive document for the process of art creation. When inquiring about the memories of the Brazilian military dictatorship and the affirmation that the film is the best object of memory to capture memories, the work fits with the bibliography that observes how the cinema has acted to undress the memories of the dictatorship. It is also pointed out the link between memory and the materiality of information in contemporary society. With the survey and selection of films produced between 1985 and 2014, which used archival documents, in narratives about the dictatorship the research identified, from form of film analysis, the files, entities and custodians of documents that were credited in the films investigated, as well as the genres of the documents used. It was verified the prominence of public and personal archives in the recovery of memories, and the iconographic (fixed image) and filmic documents (moving image). Among the researched files, the 21 most recurrent films credits were: the National Archives (20), the Cinemateca Brasileira (17), the Public Archive of the State of São Paulo (12), Jornal do Brasil (12), O Estado of São Paulo (10), TV Cultura (10), Iconographia (9), Public Archive of the State of Rio de Janeiro (7), See (7), personal collections (6), Folha de São Paulo (6), Silvio Tendler (6), Agência Estado (5), National Library (5), Silvio Da-Rin (5), Caliban (5), Agência o Globo (4), Folha Press Cuban Chamber of Art and Film Industry (ICAIC) (4) and the Federal Senate (4). As for the most used document genres, there are the iconographic ones, 3,651 (39,39%); film-making, 3 638 (39.25%); Hebrew, 1050 (11.33%); textual, 585 (6.31%); sound, 204 (2.20%); and cartographers, 141 (1.52%) out of a total of 9,269 documents used. These data prove that the films have been used of archival films, more noticeably, that the fixed images and movement are more used than the other genres of documents, respectively; and demonstrate that public, personal, and media archives are a reference for the retrieval of records and memories from the repressive period.

Item type:	Preprint
Keywords:	documento de arquivo; uso de documento de arquivo; filmografia brasileira; ditadura militar.
Subjects:	C. Users, literacy and reading. > CA. Use studies.
Depositing user:	Rafael Rosa
Date deposited:	20 Jun 2019 21:29
Last modified:	20 Jun 2019 21:29
URI:	http://hdl.handle.net/10760/38647

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